Surround Sound Processor Feature Comparison Chart

Outlaw Model 950
Last Updated 6/23/2006

The chart below began in early 2002 a general feature comparison between the Outlaw Audio Model 950 pre/pro (and Model 770 7-channel amp) and some other surround processors on the market at the time. The chart started as a question raised in the Outlaw Forum, but it doesn't really achieve the lofty goals originally set forth there (while I was able to compare feature lists, it is very difficult to compare performance of the different units). Because there is more to the performance of a processor, amp, or receiver than simple numbers or bells and whistles, this chart cannot give the entire picture of what these units are capable of. This serves only to offer some insight into how the various competitors stack up as far as features and approximate cost are concerned. Lastly, I gathered this information from a variety of online sources, and there may be errors and omissions.

Update, 4/10/2006: As part of an extensive content update in the home theater section of my site, I'm making updates to this chart and the DVD chart as well as adding an HD player chart (HD-DVD and Blu-ray). Along with updating the units included in the chart, I've added some features to the chart: HDMI switching, HDMI audio support, whether input names are editable, and what type of remote is provided. The universal remotes specifically listed in the chart are the UEI Catalyst48 and Home Theater Master's SL-9000 (often offered as an OEM remote with the LCD display removed for receivers and processors), MX-500, and MX-700. An "x" indicates a proprietary universal remote, and a "." indicates a remote that can only control the processor. There will be a few new entries appearing in the coming year or so, including some additional audio formats (DVD-A and SACD as well as DD+, DTS-HD, and TrueHD) and equalization. The new chart has a few gaps in it, since Anthem's AVM40 hasn't started shipping yet and Emotiva's LMC-1 only recently started shipping.

Other Reference Sources:

 
Home Theater Surround Sound Processors (SSP's)
FEATURES
Outlaw Audio Model 950

Outlaw Audio Model 970

Rotel RSP-1068

B&K Reference 50

Anthem AVM-40

Anthem Statement D2

Integra Research RDC-7.1

Adcom GTP-880

Arcam AVP700

Arcam AV9

Halo C2

Halo C1

Emotiva DMC-1

Emotiva LMC-1

Lexicon MC-8

Lexicon MC-12

Tuner x x . x x x x 1 x x . . . x x . .
Phono x . . . . . x . . x . . x . . .
Headphones x x . x x x x . x x x x . . . .
Multi-Zone x . x x x x x x x x x x x x x x
Auto Calibration x . . . . . . . . . x x . . . v3
LCD Monitor . . . . . . . . . . . x . . . .
Universal Remote Cat48 Cat48 x MX700 Cat48 Cat48 x SL9k Cat48 Cat48 MX700 MX700 MX500 . . Cat48
Dimensions (WxDxH, in.) 17.38x
17.75x
7.75
17.2x
15.5x
5.9
17x
13 1/2x
4 7/8
17x
10.5x
5.75
17 1/4x
14 1/4x
5 3/4
17 1/4x
15 1/4x
5 7/8
17 3/4x
18 3/4x
7 3/4
17x
16x
5 3/8
17x
16.5x
5.7
17x
14.2x
5.1
17 1/4x
16x
5 7/8
17 1/4x
16x
7 5/8
18.5x
16.25x
6
17x
13x
3 7/8
17.3x
14.85x
3.81
17.3x
14.85x
5.65
Weight (lbs.) 28 23 17 20 27 30 45.6 23 18.3 19.8 18 22 27 20.5 17 36
Manual Online x x x x . x x x x x x x x x x x
Inputs/Outputs:
                               
Editable Input Names x . x x x x x . . x x x x . x x
Audio Inputs 4 3 3 . . . 3 3 2 2 5 5 2 3 8 2 8 3
Balanced Audio In . . . 2 1 1 . . . . 1 1 . . . .
Audio Outputs 2 1 1 . . . 1 1 1 1 2 2 2 1 . .
A/V Inputs 6 5 5 7 7 7 6 5 5 5 6 6 6 4 5 8
S-Video Inputs 7 5 5 7 7 7 6 5 5 5 6 6 6 4 5 8
A/V Outputs 2 1 3 3 2 2 4 1 2 1 1 1 2 1 0 2
Monitor Video Out 1 1 1 2 3 3 1 1 1 2 2 2 1 1 1 2
S-Video Outputs 3 2 4 5 5 5 4 2 3 2 3 3 3 1 2 4
Composite/S-Vid Convert x x . x x x x x x x x x x x x 4 x 4
Component Video In 3 3 2 3 ? 4 3 3 3 3 2 3 3 3 2 4
Component Video Out 1 1 1 1 ? 2 1 1 1 1 1 1 2 1 1 1
Transcode to Component x x x x x x x . x x . . x x . .
DVI Inputs 2 2 . . . . . . . . . . . . . .
DVI Outputs 1 1 . . . . . . . . . . . . . .
HDMI Inputs . . . . ? 4 2 . 2 5 . . . . . .
HDMI Outputs . . . . 1 1 1 . 1 1 . . . . . .
HDMI Audio Input . . . . x x x . . x . . . . . .
Transcode to HDMI . . . . ? x . . . . . . . . . .
5.1 Analog In . . . 1 1 1 . 2 5 . . . . . . 2 2 1 3
7.1 Analog In 1 1 1 . . . 1 . 1 1 1 1 1 1 . .
Coax Digital In 2 4 3 6 6 7 6 7 6 6 3 3 6 5 6 4 4 6 6 4 6 4 6
Optical Digital In 5 4 2 5 6 3 3 6 3 3 6 2 6 4 4 4 6 3 6 4 6
Coax Digital Out 1 1 1 2 2 2 2 1 1 . 1 1 1 . 1 1
Optical Digital Out 1 1 1 1 . . 2 1 1 1 1 1 1 . . 1
Balanced Pre-Amp Out x . . x x x x . x . x x x . . 7 . 7
RS-232 x x x x x x x x x x x x x . x x
USB x . . . . . . . . . . . . . . .
IEEE 1394 . . . x 8 . . x . . . . . x 8 . . .
DSP/DAC's
                               
Dolby Digital 5.1 x x x x x x x x x x x x x x x x
Dolby Digital EX x x x x x x x x x x x x x x x x
Dolby Pro Logic II x x x x x x x x x x x x x . 9 x x
Dolby Pro Logic IIx x x x x x x x . x x . . x . 9 x x
Dolby Headphone x x . . . . x . . . . . . . . .
DTS x x x x x x x x x x x x x x x x
DTS ES x x x x x x x x x x x x x x x x
DTS NEO:6 x x x x x x x . x x x x x x x x
DTS 96/24 x x x x x x x . x ? x x . . . .
THX . . . . x x x . . x x x . . x x
THX Surround EX . . . . x x x . . x x x . . x x
THX Ultra . . . . x x x . . x x x . . x x
THX Ultra 2 . . . . x x x . . x x x . . x x
6.1/7.1 Surround x x x x x x x x x x x x x x x x
5.1/7.1 Stereo x x x x x x x x x . . . x . . .
Logic 7 . . . . . . . . . . . . . . x x
HDCD . . x . . . . . . . . . . . . .
DAC 192/24 192/24 192/24 192/24 192/24 192/24 192/24 192/24 192/24 192/24 96/24 96/24 192/24 192/24 192/24 192/24
Analog Bypass 10 x x x x x x x x x x x x x . x x
Bass Management:
                               
# of Crossovers 4 4 4 1 1 4 4 3 1 1 1 1 2 3 4 4
Adjustable X-Over x x x x x x x x x x x x x x x x
Price:
                               
List ($) 1100 700 1700 3000 3700 6700 5500 2400 2200 5500 4000 6000 2500 500 6000 9000
Street ($) 1100 700 1500 2400 3500 6700 5500 2400 2000 5000 4000 5500 2500 500 5000 8500
AudioReview:
                               
Rating 5.0 - 4.6 3.33 - - - 5.0 - - 0 0 0 - 5.0 4.67
# of reviews 5 - 5 3 - - - 1 - - 0 0 0 - 2 9

1 Unit includes both standard AM/FM tuner and NetTune Internet tuner.
2 The MC-8's analog audio inputs can be configured as eight stereo pairs, five stereo pairs and one 5.1 input, or two stereo pairs and two 5.1 analog inputs.
3 The MC-12's analog audio inputs can be configured as eight stereo pairs or five stereo pairs and one 5.1 input.
4 The MC-8 and MC-12 will transcode composite video to s-video, but will not convert s-video to composite.
5 One 5.1 analog input on the Adcom GTP-880 uses a DB25 connector rather than a set of six RCA inputs.
6 Digital inputs are permanently assigned to specific inputs, not user-assignable.
7 Lexicon MC-8 and MC-12 are available in unbalanced (MC-8, MC-12) and balanced (MC-8B, MC-12B) configurations. Prices shown here are for unbalanced; add approximately $1000 for balanced versions.
8 IEEE 1394 (FireWire or i.Link) is included on these units for future expansion, but does not currently support any input.
9 LMC-1's Pro Logic II/IIx modes alter the bass management configuration when used with Dolby Digital bitstreams (2.0, 5.1, etc.). Instead of the three adjustable crossovers, the LMC-1 employs a global crossover with the crossover point taken from the highest of the three user-defined crossovers.
10 "Analog Bypass" refers to the ability to allow any stereo analog input to bypass conversion to digital, allowing the signal to remain in the analog domain all the way through the processor.


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